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The Kitsch Movement
Kitsch painting is an international movement of classical painters founded upon a 24 September 1998 speech and philosophy by Odd Nerdrum,〔E.J. Pettinger () "The Kitsch Campaign" (Weekly ), December 29, 2004.〕 later clarified in his book ''On Kitsch''〔Dag Solhjell and Odd Nerdrum () "On Kitsch" Kagge Publishing, August 2001.〕 with Jan-Ove Tuv and others.〔Odd Nerdrum, Sindre Mekjan, Jan-erik Ebbestad Hansen, Jan-Ove Tuv, and Dag Solhjell〕 It incorporates the techniques of the Old Masters with narrative, romanticism, and emotionally charged imagery. The movement defines Kitsch as synonymous with the ars of ancient Rome or the techne of ancient Greece. Kitsch painters embrace it as a positive term not in opposition to "art", but as its own independent superstructure. Kitsch painters assert that Kitsch is not an art movement, but a philosophical movement: a superstructure of values and philosophy which are separate from art. The Kitsch movement has been considered an indirect criticism of the contemporary art world, but according to Nerdrum and many Kitsch painters, this is not their expressed intention.〔Signy Norendal, "Interview with Robert Dale Williams" (Kunst ) September 5, 2007〕〔Richard Scott () The Philosophy of Kitsch.〕〔(Jan-Ove Tuv )〕
==The kitsch philosophy==
The positive view of ''kitsch'' (kitsch philosophy) is based on the fact that the term ''art'', or ''fine art'', which is solely the "concept" as opposed to its physical manifestation, was popularized in the 18th century by the German philosopher Immanuel Kant in his book ''Critique of Judgement''. At this point, art separated from ''craft'' and, consequently, from life. According to Kant, art should then be regarded with "aesthetic indifference". This definition of art is generally held to be the correct one within dominant academic circles. Others have come to similar conclusions about the origin of art, notably, Larry Shiner in ''The Invention of Art''.〔Larry Shiner () University of Chicago Press; New edition (July 15, 2003)〕
"The word, kitsch, was popularized in the 1930s by the art theorists Theodor Adorno, Hermann Broch, and Clement Greenberg, who each sought to define avant-garde and kitsch as opposites. To the art world of the time, the immense popularity of kitsch was perceived as a threat to culture. The arguments of all three theorists relied on an implicit definition of kitsch as a type of false consciousness, a Marxist term meaning a mindset present within the structures of capitalism that is misguided as to its own desires and wants. Marxists believe there to be a disjunction between the real state of affairs and the way that they phenomenally appear."
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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